Wayne Jiang
Portland, OR
Wayne Jiang is a Portland-based realist painter and teacher. He holds a degree in illustration from San Jose State University. In his paintings, Wayne enjoys creating an ambience that reflects on stillness, solitude, and mystery. He believes in using simple, quiet scenes and objects to communicate deep emotion and relevance. In his work, there are influences from 17th Century Dutch genre and still life paintings, 19th and 20th Century American Realism paintings, and documentary photography. His work has been widely exhibited in museums and galleries in the last three decades such as the Morris Graves Museum of Art, Triton Museum, Lan Su Chinese Garden, Portland Art Museum Rental Sales Gallery and Guardino Gallery.
Gina Pannorfi
Chicago, IL
Gina Pannorfi is a fiber artist who creates one of one handmade textiles, celebrating tradition, color, and handcrafted beauty. Her work explores color, texture and pattern through multiple processes grounded in ancient traditions. Through hand-dying, hand-painting, batik, felt-making, and fashion design she creates a collection of more than 30 styles of timeless wearable art and home decor. She has been traveling the country for the past 22 years participating in Fine Art and Fine Craft Fairs. Her work has been carried in high end boutiques and museum stores world wide. Gina Pannorfi is a graduate of The School of the Art Institute of Chicago. As her work and business continue to evolve, so does her unmistakable style.
Nicholas Stelter
Portland, OR
Stelter had a passion for art for as long as he can remember. While growing up, he spent warm summer days in his grandfather’s woodworking shop learning valuable lessons. He was a skilled engraver who had meticulous attention to detail and a great knowledge about different tools and techniques. From his time working with him, to watching his mother who is a ceramics artist, he developed an eye for art and a passion for working with his hands. Stelter began working with glass in 2000. While he started with stained glass, he also explored working with stone, concrete casting, and the possibilities of wood. Now in his studio he is thrilled to create new pieces of glass art. He enjoys the creative process, seeing an idea come to life. While his pieces have a similar shape, no two pieces have the same pattern which make each one unique.
Babette Harvey
Portland, OR
Babette has been a professional clay artist for the past thirty years. She is known for her sculptural work although she began her career as a functional potter. She attended Portland State University and majored in ceramics at the Oregon College of Art and Craft before starting her professional ceramic career in 1996. She has shown her work in many juried fine art shows and selected gallery exhibitions throughout the Pacific Northwest where she has received numerous awards. Babette was a featured artist on OPB’s Oregon Art Beat in 2010. Her work has been published in the Ceramic Monthly magazine and other publications. Babette’s work is included in the permanent collections of The Hallie Ford Museum of Art, The Clay Art Center in Washington, and private collections in Japan, England, Australia, Hawaii and throughout the United States. Her work has been exhibited at the Oregon Governor's Mansion during the International Artist Showcase. Her sculpture, “Antelope Wishes She Could Sing Too”, will be on display at The Portland International Airport in December 2026 - 2028. In addition to her professional studio work, Babette has been an instructor of ceramics at Portland Community College for fifteen years. She has also taught workshops throughout the Pacific NW. She has held several volunteer positions on the boards of both the Oregon Potters Association and Art In The Pearl.
Collaborating Artists
Artists submitting an application as a collaborating artist or partnership must submit the names of both collaborators with the application. Artists may not add a partner after the jury.
2027 Art In The Pearl Fine Arts & Crafts Festival Artist Contract, Rules and Media Categories
1. Eligibility: Artists must be at least 18 years of age. A maximum of two collaborating Artists may share a booth, provided both were included on the initial application and both contribute creatively to each piece.
2. Authenticity and Originality: All exhibited work must be original, handcrafted, designed and executed by the accepted Artist(s). Production studios and imported work is strictly prohibited.
3. AI Policy: AI-generated work of any kind is strictly prohibited.
4. Computer-aided Technologies: 3D printing, laser cutting, and CNC tooling—where these technologies are used in place of the artist’s hand in creating the final piece, are strictly prohibited.
5. Attendance: Participating Artists must be present with their work for the entire three-day duration of the festival. Representatives are not permitted to attend in place of the Artist. Valid photo identification is required at check-in.
6. Booth Requirements and Display: Artists may only exhibit work that aligns with the category, style, and quality of the body of work submitted to and selected by the Jury. Artists must provide their own outdoor display that is structurally sound, compliant with fire code regulations, and capable of withstanding inclement weather. Displays must be maintained in a professional, neat, safe manner, and not expand beyond the assigned booth space. An artist statement describing materials, process, and technique must be displayed.
7. Reproduction Rules: Only high-quality, unframed, signed, and numbered reproductions (editions up to 250) of two-dimensional originals are permitted in browse boxes or flip bins. They cannot be hung on walls (reserved for original works) or printed on canvas. Any scanned, digitally uploaded, photographed, or printed work (and subsequent hand-modifications or embellishments) is considered a reproduction and must be clearly labeled "reproduction" on the front. Terms like "print," "offset lithograph," or "giclee" are prohibited.
8. Sale of Promotional Items: Examples include but are not limited to- postcards, note cards, calendars, posters, magnets, stationery, t-shirts, canvas prints, framed posters and reproductions are strictly prohibited.
9. Quality Assurance and Compliance: Members of the Quality Assurance Committee will inspect displays throughout the event. Failure to comply with these regulations may result in removal from the festival without a refund and potential ineligibility for future events.
10. Insurance: Artists are solely responsible for maintaining appropriate insurance and protecting themselves, their work, display, belongings, and vehicles.
11. Release of Liability: By submitting the application, the Artist agrees to release and hold harmless Art In The Pearl Inc., the City of Portland, Multnomah County, and all associated sponsors along with their respective directors, officers, employees, agents, and volunteers—from any responsibility, personal liability, claims, loss, or damage of any kind arising from participation in the Festival, including, without limitation, any claims based on negligence.
Media Categories
Media categories are used by Art In The Pearl as a tool for organizing artistsʼ images into logical, related groups for the juryʼs review. While a balanced show that equitably showcases both works of fine art and craft, as well as diversity among media is a principal objective, Art In The Pearl establishes no quota or entitlement by media category.
2-D Mixed Media: Includes any combination of a variety of materials used to create an original work of art that is by design to be displayed on walls with a one-sided orientation. Production studio work and computer-aided technologies such as 3D printing, laser cutting, or CNC tooling is NOT allowed.
3-D Mixed Media: Incorporates more than one type of physical material to form an original work of art visible from 360 degrees. Production studio work and computer-aided technologies such as 3D printing, laser cutting, or CNC tooling is NOT allowed.
Ceramics: All original clay work other than jewelry is accepted in this category. No machine-made or mass-produced work is permitted. Work produced from commercial molds is not acceptable. No more than 15% of display may consist of slip cast work which has been designed by the Artist. If multiple pieces of the same design are displayed, each piece must be signed.
Drawing: Compositions that are created by the artistʼs hand using dry media including chalk, charcoal, pastels, pencil, wax crayon, etc. or from the fluid medium of inks and washes applied by pen or brush are to be entered in this category.
Fiber: All work crafted from fibers including basketry, embroidery, weaving, tapestry, leather work, batiking, and papermaking. No machine tooling, machine-screened patterns or other forms of mass production are permitted. All pre-manufactured wearable items are prohibited, regardless of additional modification or enhancement by the artist. The Fiber Wearable category includes all items that are worn or used for adornment.
Glass: No forms of mass production are permitted. All pre-manufactured items are prohibited, regardless of additional modification or enhancement by the artist.
Jewelry: All jewelry, whether the work is produced from metal, glass, clay, fiber, paper, plastic or other materials, must be entered in this category. Work must be designed, created and executed by the artist. No more than 15% of a piece may consist of commercial findings. Commercial casts, molds, production studio work or computer-aided technologies such as 3D printing, laser cutting, or CNC tooling is NOT allowed.
Metalwork: Original work created through the forging, casting, cutting, engraving, manipulating and fabricating of various metals. Production studio work and computer-aided technologies such as 3D printing, laser cutting, or CNC tooling is NOT allowed.
Painting: Original compositions created by the artistʼs hand in oils, acrylics, watercolor, encaustic etc. are in this category.
Photography: The photography category includes hand colored, Polaroid transfers, emulsion transfers, etc. Please do not enter such work in the Mixed Media category. Photographers are encouraged to do their own printing. All photographic work must be made from the artist's original image, which has been processed by that artist and is included in this category.
*All work must be signed, numbered, and dated in limited editions of no more than 250 per image.
No photographic images printed on canvas are allowed. Signage of an overtly commercial nature listing the availability of numerous sizes, print surfaces and/or framing options is prohibited. Photographers are required to disclose a detailed process description.
Printmaking: Defined as multiple originals where the artistʼs hand has manipulated the plates, stones, blocks, composite reliefs, or screens. Prints must be properly signed and numbered in limited editions not to exceed 250.
Sculpture: Three-dimensional original work incorporating any materials that are designed and executed by the artist. Any work that is reproduced must be signed and numbered. Production studio work and computer-aided technologies such as 3D printing, laser cutting, or CNC tooling is NOT allowed.
Wood: Original works in wood that are hand-tooled, machine-worked by hand, turned or carved. Production studio work or computer-aided technologies such as 3D printing, laser cutting, or CNC tooling is NOT allowed.
Thank you for your interest in Art In The Pearl Fine Arts & Crafts Festival!
Average number of applications submitted each year
600
Average number of artists selected from the jury to participate in the event
140
Average number of exempt from jury artists who are invited to participate in the event
25
Early Bird Non refundable Jury Fee: $35

Non refundable Jury Fee: $45